Wednesday 12 September 2018

The Daffodils by William Wordsworth



The poem Daffodils composed by William Wordsworth and published in 1807 in Poems in Two Volumes. This poem is composed after a short visit, on the way, a long belt of daffodils along with his sister in 1802. William Wordsworth as a typical nature poet of the romantic age has painted the poem with beautiful natural sceneries. This poem is very relevant today when people are more at mind than to heart though the poem is but by-product of imagination. This poem is a kind of cure for the people who have mental ailments or leading a stressful life. This poem has paved the way to be happy in the atmosphere of unhappiness. He has conveyed the message of the benefits of solitude. The entire poem has been dispersed into four stanzas in a very sequence way.

In the first stanza, the speaker has compared himself with wandering clouds and then he goes on introducing a host of animated daffodils. Resembling the clouds, he is walking here and there, as clouds swim over valley and hills. At once, he saw a crowd of golden daffodils dancing in the mild wind beside the lake and beneath the trees. In the next stanza, he goes on illustrating the daffodils with its peculiarities. He says these daffodils are shining and twinkling like stars in the Milky Way. The length of the belt of daffodils, for the poet, is endless along the bank of a bay. When he sees at a glance, he could have numbered them, ten thousand tossing their heads. In the third stanza, the poet is giving more values to these daffodils than anything else. He compares the wave of the daffodils with the wave of sparkling water, the wealth of beautiful natural sceneries with the wealth of possession, but he outshines all of them and keeps the daffodils above all. He says that company of the daffodils is very joyous and lovable.

In the concluding stanza, the poet has shown a method of living happily in an unfavourable condition. Here the speaker is lying long after the moments of daffodils, in a very pensive mood and in an unhappy environment. At once, the gone moments flashed before his inward eyes and gradually he started dancing with the host of daffodils. Thus, we have learnt that to be happy is a kind of practice, the practice of controlling the mind. To be happy and unhappy is all about mental state.


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Tuesday 10 April 2018

Our Education System: Fact or Figure


It is common to every nook and corner across the country that the race of obtaining higher marks is on prime focus. Parents often stress their wards to score higher and higher in the assessments. Emphatically, for them, figures on the progress report is a palpable outcome of the teaching-learning process. Now, it is time to go beyond toiling figures on the progress report, think the fact, and think about your wards. To measure the progress of a child is only the marks; this is the only parameters to sum up the all-round development of a child. Someone has told that if they will study for the marks, very soon, we would have the crowd of unemployed people. Haven’t they heard that scoring a considerable mark just a matter of technique? Haven’t they heard that somebody passed the exam only in few days of study? Yes, from many, we have come across in our surroundings. It is the demand of the time to change the parameters, beyond the parameters of paper and pencil.

Just coming to the point that we are living in a dynamic society, naturally, in each face of the society people try to accommodate in that. Therefore, we need to accommodate the new parameters of testing the outcome of the children. We should give more emphasis on hands-on activities, dealing with real-life problems and facing the hardship of life. Education should not be a limited play of paper and pencil. The prevalent education system should turn more strictly to practical based learning than theorising the old drawn laws. It should have ample space or flexibility for the coming generations. It should be well prepared so that they could find it more wholesome. The same education system and same prescribed textbook, somehow, cannot be applicable on different terrain of the Earth. The prescribed syllabi must be dealt with the local surroundings and draw the innovative ways to deal with real-life problems what they prone to face.


Of course, as matter of fact, our education system is working since last few years in the field that has resulted in the existed curriculum. However, on the ground reality, it is not visible in the mindset of the students. Still, they are dragging the half-heartedly what we say hands-on or real-life based teaching-learning process. The result is before us – stress full life, educated unemployment and sometimes leading to worst act!


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When, in disgrace with fortune and men’s eyes (Sonnet 29)



Sonnet no. 29 is one of the 154 sonnets composed by William Shakespeare. This sonnet sequence falls into two divisions, the first part is contained from sonnet no.1 to 126, dedicated to the Fair Youth. The other division which comprises from sonnet no. 127-154, dedicated to Dark Lady. Usually, there is no any certain title given to the sonnets, the first line of the sonnets is assumed as the title of the sonnets. As far Shakespearean sonnet concern, its style and structure are not taken from anywhere rather it was Shakespeare’s own innovation. He initiated the tradition of writing a sonnet that was consisted of three quatrains and concluded by a couplet. The rhyming pattern is abab cdcd efef gg.
Sonnet 29 is also composed in typical Shakespearean sonnet form, 14 line of iambic pentameter ending in a rhymed couplet. In this sonnet, the speaker regrets his status as an outcast from the society. He weeps over his fate that has been cursed. He is expressing his agony that he has been deprived of the grace and fortune due to lack of qualities and feature that his friend has. He is less confident regarding his personalities; he believes more on his friend than on himself. He feels happy to have all the qualities that his friend possesses. He wishes to be like his friend, thus he feels one of the richest fellows on the earth.


In the third quatrain, he forgets himself and takes a deep sink in thoughts of his friend. He tries to mingle two bodies into one being. Here we have a portrayal of the self-denied state of the speaker. He is most contented and in a blissful state. he is so overwhelmed in the thoughts of his friend that he thinks himself as a lark at break of day ( Like to the lark at break of day arising/ From sullen earth, sings hymns at heaven’s gate). In the end, he thanks his friend for the sweet love that has brought wealth to him and became a king. 


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If thy soul check thee that I come so near ( sonnet136)

General Introduction

Sonnet no 136 falls in the second category that is dedicated to Dark Lady. As far the metrical structure and the stanza concerns resemble previous sonnets. The recurrent style and structure of Shakespearean sonnet have three quatrains, followed by a final rhyming couplet. It imitates typical rhyming pattern abab cdcd efef gg, and is composed in iambic pentameter. The current sonnet continues the earlier sonnet no 135, generally, critics label these sonnets as the “Will” sonnets. In these sonnets speaker (author) depreciate himself and appreciate the counterpart. The label “Will” has been contemplated in three distinct ways. The first one refers to William Shakespeare as the speaker of the poem; the second one points out to the literal meaning of “Will”. The last one carries the sense of sexual- appeal, which was common in those days.

 Analysis

In the first quatrain, the poet is addressing to the Dark Lady and arguing her to read her own soul. The poet is referring Dark Lady’s soul as blind soul arguing that if her soul prevents her to think as he is near to her. More emphatically, the poet is assuring her that (I was thy “Will”) he is her “Will”. Further, he says that her soul knows full well, has admitted, even-though your soul checks you. In the successive stanza, the word “Will” can be interpreted in many ways. The most probably, the concurrent sense is conveyed of Sex-desire. The speaker is proposing her by supplying special love for. He says, for her there would be many lovers but suits her more than anyone. In the third quatrain, nothing is drawn more valuable or anything worthy contemplative. Indirectly, some slang terms have been used in the last quatrain. Here the speaker is beseeching the Dark Lady for making love that could quench the thirst for sexual pleasure.

In the concluding part as the couplet, the speaker shifts from the argument of “love my Will” to “love my name”. In the final line of the poem, the poet declares the ambiguous reference of the word “Will”; one will is the speaker himself and the other one stands for “wish”

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Contemporary Indian English Literature

Tuesday 6 March 2018

Jane Austen




Introduction

Jane Austen was born on 16 Dec. 1775, in Hampshire and George Austen, is her father. She was instilled reading habit at her very early age. As a child or young woman, she drowned herself in the literary world. She often read the works by Henry Fielding, Lawrence Sterne, Samuel Richardson, Fanny Burney; she was also much attracted by poets like Sir Walter Scott, William Cowper and her favourite, George Crabbe. Having well acquainted with the literary circle of the time, she had a good deal of passion for the writing. Although she has been charged for the limited boundary or merely domestic treatment in her most of novels, she has mastery over under four wall affairs. Unlike, other female novelists of the time, she chose a very peculiar part of human life as themes for her novel that could magnetize the readers spontaneously. No matter for what she has been criticised but the fact is, she is or will remain ever and ever in the matters of public discussion, will be the celebrated author.

Her Works
Of her novels, the major novels are Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814), Emma (1816), Northanger Abbey and Persuasion published posthumously in 1818. Austen wrote most of the novels between the activities of family life and the last three Mansfield Park, Emma, and Persuasion are known to have written in the busy family parlour at Chawton. For female authors, it was quite difficult to stand or to get published any work in the Victorian age. To give the considerable priority to female identity was against the trend of the age. However, after the little alterations in her works published her novels. The novels Elinor and Mariame  as Sense and Sensibility and First Impression published as Pride and Prejudice. The Watsons Sanditon is her only unfinished novel.

Despite of the criticism that justifies her works or baffles over, get the public attention. Being a novelist of the lesser circumference or under four-wall novelist, she could bring the flood of readers. Therefore, with the wide readership, critics stay her or credited for her portrayal of a world where female characters have enough freedom to exercise their wits in male dominant society. Austen became an ideal literary figure for female authors. Sir Walter Scott often praised her works in the Quarterly Review in 1815. More remarkable, she became a cult just after the publication of J.E. Austen Leigh’s memoir in 1870.


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Emma by Jane Austen


Characters

Emma Woodhouse: the protagonist of the novel. She holds the whole story by her moves; the other major and minor characters are mover of her moves. She is the typical heroine of Austen’s novels. She is twenty years old, mature, caring for her father and haunts loneliness because her mother is dead and older sister married.
Mr. George Knightley: he is a landowner who rents property to Martin. Somehow, he acts as counsellor to Woodhouse family. Emma’s brother in law, cares Emma.
Mr. Woodhouse: Emma’s father and the owner of the Woodhouse estate. He is an amiable old fusspot.
Harriet Smith: she is like an object of Emma’s matchmaking schemes. She is a pretty, pliant girl of 17, is the daughter of unknown parents.
Frank Churchill: a son by Mr. Weston’s former marriage and the stepson Mrs. Weston. Throughout the novel, he is thought to be a suitor for Emma.
Jane Fairfax: she acts as a rival of Emma in beauty achievement. When Fairfax arrives at Highbury, irritates Emma.
Mrs Weston: formerly known as Miss Taylor, who worked as Governess for Woodhouse. In the beginning, she treats Emma as one of the trusted companions.  


Summary

Emma as Austen’s typical heroine, a clever, pretty, and self-satisfied young woman. She is the daughter of Mr. Woodhouse and mistress of the house. Her father often thinks of unfortunate things that might happen. However, he is a good-humoured and friendly man. Anne Taylor, a former governess who is loved by Emma and her father both. Anne Taylor has just left them to marry a neighbour, Mr. Weston.

Emma, lost the Anne Taylor’s companionship, is missing her now and then. She is looking for a companion, meets Harriet Smith, a boarder at a village school of Highbury. Harriet Smith, a pretty, pliant girl of 17, is the daughter of unknown parents. Emma makes her mind to work on schemes properly for Smith’s advancement. Emma moves on, but her interfering and injudicious attempt results in a modification in the plan. Initially, she prevents Harriet to accept Robert Martin, an eligible young farmer, as being beneath her.

Such Emma’s acts annoy Mr. Knightley, the bachelor owner of Donwell Abbey. He is Emma’s brother in law. Now once again, Emma sets her mind for the matchmaking between Harriet and Mr. Elton, the young vicar, hoping that if he despises Harriet’s offer for the marriage she will take a chance for her own hands. Meanwhile, Frank Churchill, the son of Mr. Weston by the former marriage, a Youngman, looking handsome but lacking in rationalist temperament, visits Highbury. Emma falls in love with Frank Churchill, thinking that Harriet might attract him; Emma encourages Harriet not to despair her. However, the encouragement is misunderstood by Harriet; who assumes that she is directed, not to Frank Churchill but to Mr. Knightley to whom Emma herself, half unwittingly in love.

The aftermath of Emma’s encouragement or discouragement, Emma suffers for double loss; first discovering that Frank Churchill is a married man, Jane Fairfax is his wife. In addition, the second one that the truth comes on the surface that Harriet is carrying her love for Mr. Knightley. However, at the end, things came on the right way, Mr. Knightley proposes to the humbled and repentant Emma, and Harriet is happily consoled with Robert Martin.


Some Important Extracts from the Texts

The real evils indeed of Emma's situation were the power of having rather too much her own way, and a disposition to think a little too well of herself; these were the disadvantages which threatened alloy to her many enjoyments. The danger, however, was at present so unperceived, that they did not by any means rank as misfortunes with her.
The narrator, page 8

I never thought of Miss Smith in the whole course of my existence--never paid her any attentions but as your friend: never cared whether she were dead or alive, but as your friend. If she has fancied otherwise, her own wishes have misled her, and I am very sorry--extremely sorry--But, Miss Smith, indeed!--Oh! Miss Woodhouse! who can think of Miss Smith, when MIss Woodhouse is near!
Mr. Elton, page. 124

Emma has been meaning to read more ever since she was twelve years old. I have seen a great many lists of her drawing up at various times of books that she meant to read regularly through--and very good lists they were--very well chosen, and very neatly arranged--sometimes alphabetically, and sometimes by some other rule...But I have done with expecting any course of steady reading from Emma. She will never submit to any thing requiring industry and patience, and a subjection of the fancy to the understanding.
Mr Knightley, page 37

A few minutes were sufficient for making her acquainted with her own heart. A mind like hers, once opening to suspicion, made rapid progress; she touched--she admitted--she acknowledged the whole truth. Why was it so much worse that Harriet should be in love with Mr. Knightley than with Frank Churchill? Why was the evil so dreadfully increased by Harriet’s having some hope of a return? It darted through her with the speed of an arrow that Mr. Knightley must marry no one but herself!
The narrator, page. 387

This is not pleasant to you, Emma--and it is very far from pleasant to me; but I must, I will,--I will tell you truths while I can, satisfied with proving myself your friend by very faithful counsel, and trusting that you will some time or other do me greater justice than you can do now.
Mr. Knightley, page. 352
With insufferable vanity had she believed herself in the secret of everybody's feelings; with unpardonable arrogance proposed to arrange everybody's destiny. She was proved to have been universally mistaken; and she had not quite done nothing--for she had done mischief.
The narrator, page. 387

He had misinterpreted the feelings which had kept her face averted, and her tongue motionless. They were combined only of anger against herself, mortification, and deep concern...Never had she felt so agitated, mortified, grieved, at any circumstance in her life. She was most forcibly struck. The truth of his representation there was no denying. She felt it at her heart. How could she have been so brutal, so cruel to Miss Bates!--How could she have exposed herself to such ill opinion in any one she valued! And how suffer him to leave her without saying one word of gratitude, of concurrence, of common kindness!
The narrator, page 352

I have blamed you, and lectured you, and you have borne it as no other woman in England would have bourne it. --Bear with the truths I would tell you now, dearest Emma, as well as you have borne with them.
Mr. Knightley, page 403

She would notice her; she would improve her; she would detach her from her bad acquaintances, and introduce her into good society; she would form her opinions and her manners. It would be an interesting, and certainly a very kind undertaking; highly becoming her own station in life, her leisure, and powers.
The narrator, page 24

Miss Bates stood in the very worst predicament in the world for having much of the public favour; and she had no intellectual superiority to make atonement to herself, or frighten those who might hate her, into outward respect...It was her own universal good-will and contented temper which worked such wonders. She loved every body, was interested in every body's happiness, quick-sighted to every body's merits; thought herself a most fortunate creature, and surrounded with blessings in such an excellent mother and so many good neighbors and friends, and a home that wanted for nothing. The simplicity and cheerfulness of her nature, her contented and grateful spirit, were a recommendation to every body and a mine of felicity to herself.
The narrator, page 22






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Sunday 25 February 2018

JSSC PGT 2018 (pgttce) English Subject Walter Horatio Pater




Walter Horatio Pater
His life
Horatio was born on 4 Aug. 1839 in Stepney, London and died at the age of 54 on 30 July 1894 in Oxford. He comes from the medical background; his father was a physician who moved to London around the 19th century to practise medicine among the poor. In 1853, Pater went to The King’s School, Canterbury, where he was enthralled to see the beauty of the Cathedral and remained with him throughout his life. His reading of John Ruskin’s Modern Painters, which inspired him or attracted towards the study of art. His early interested authors were Flaubert, Gautier, Baudelaire and Swinburne. In addition, he was also much influenced by the German authors. His interest in Hellenism, pre- Socratic and German philosophy, European art, and literature was encouraged by Benjamin Jowett, the classical scholar W.W. Capes and Mathew Arnold. He had to face harsh attack the conclusion to studies in the history of the Renaissance (1873). Today, he is known for his celebrated pagan art, and the love of art for its own sake. He devised the ultimate success in life To burn always with the hard gemlike flame, to maintain this ecstasy, is success in life. His radical critique of absolutism and explored admiration for Hellenic Homerotic discourse and culture.

His Works
As an aesthetic critic, he has philosophised the ways of the study of beauty. He was the first and foremost leader of English literary aestheticism. Pater’s critical approach outlined in the preface to The Renaissance and improved in his later writings. He argued for a subjective approach to life, ideas, art and just contrary of it, scorns for objective outlook upon anything. He favours moralistic criticism that we find generally in Mathew Arnold’s criticism. His critical method seen as a quest for the impressions, the quest for the sources of individual expression.

Studies in the History of Renaissance 1873

His tireless study and teaching at Oxford formulated to visit the continent; he went to Florence, Pisa and Ravenna of where he was much influenced by the art and literature. He could not prevent himself and started writing articles and criticism. On this line, an essay on metaphysics of Coleridge came out. His essays on Leonardo da Vinci (1869), Sandro Botticelli (1871) and Michelangelo (1871) printed in Fortnightly Review. These essays established a landmark in the history of aesthetic criticism. These last three essays came out under the title as Studies in the History of Renaissance 1873, however, renamed in the second and later editions The Renaissance: Studies in the Art and Poetry. In this collection, an essay on Leonardo and Patter’s daydream about Mona Lisa is much celebrated one. His essay on Botticelli, first in the English language, has revitalised the artistic spirit of the time. In addition, Giorgione, an essay in the third edition, contains much-celebrated quotation “All art constantly aspires towards the condition of music”. William Morris, the final paragraph of the essay served as the conclusion of the collection. The conclusion remained one of the influential and controversial parts of the book.

Marius the Epicurean: His Sensations and Ideas

It was first and last full-length fictional work, published in 1885. It is a historical and philosophical Novel. As historical, it takes us back to 161-177 AD, in the Rome of the Antonines. It tells the story of protagonist’s intellectual and philosophical development. The novelist tries to relate it with his own time. Pater traces the life of Marius throughout his different phase of life period- boyhood, education, ad young manhood. Marius, a serious young Roman with unwholesome religious idealism. Flavin, his friend, like many pater’s characters, dies young.



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JSSC PGT 2018 (pgttce) English Subject Paradise Lost by John Milton




Paradise Lost

About the Composition 

Originally, Milton wrote Paradise Lost in ten books, subsequently rearranged in twelve books, and first printed in 1667. Paradise Lost, as an epic has indebted to Bible and a range of great epics as sources of information: Milton used the Bible, the book of Genesis, Homer’s Iliad and Odyssey, Virgil’s Aeneid, and the stories in Greco-Roman mythology. Milton made a little additional change into his original text: he added to the first edition an ‘Argument’, summarizing the contents of each book, and a defensive argument of his choice of verse.

What is an epic poem?

The essential qualities that establish morality
The historical framework and the future destiny of a nation and so on.

Characters:

God the Father: God the Father is portrayed as just but merciful.

God the Son: God the Son volunteers to redeem humanity by becoming human and enduring suffering and death.

Satan or Lucifer: Powerful and proud angel who leads an unsuccessful rebellion against God and suffers eternal damnation. To gain revenge, he devises a plan to corrupt God’s newly created beings, Adam and Eve. However, Nowadays, he is expounded as hero, appreciation always favours him for his undefeatable will. His strength can be determined by his assertion ‘it would be better to rule in hell than to serve in heaven.’

Beelzebub, Mammon, Belial, Moloch: Powerful leaders in Satan’s army.

Sin: Daughter of Satan

Death: Son of Satan

Some Other Angels and Devils

Epic Conventions:

Milton has used some classical epic conventions are the following:
i.                     The invocation of the muse, in which a writer requests divine help in composing his work.
ii.                   Telling a story with which reader or listeners are already familiar. Many great writers, including Shakespeare – frequently told stories already known to the public. Thus, in such stories, there were no unexpected plot twists, no surprise endings.
iii.                 Beginning the story in the middle, a literary convention known by its Latin term in media res (in middle of things).
iv.                 Announcing for introducing a list of characters who play a major role in the story. They may speak at some length about how to resolve a problem.
v.                   Use of dramatic irony: Dramatic irony is a literary device in which a character in a story fails to see or understand what is obvious to the audience reader.


Summary

Book I

In the book first, we have the acquaintances with the zenith of the story. Paradise Lost does not start from the beginning; it begins from the middle of the story. We come to know that the Adam and Eve have been exiled from the Garden of Eden; the exile is given as punishment for eating the fruit of knowledge. Thus, the fall of man is predestined for his disobedience. Poet asserts his message very strongly ‘justify the ways of God to men’. Here we see a burning lake, in the lake, lying defeated archangel Satan, with Beelzebub, his second in command and many rebellious angels. A Pandemonium, the palace of Satan is built from where he introduces the angels. 

Book II

A meeting of the council is convened for the debates whether another battle for the recovery of heaven should be hazarded. Each of members opined concerning the battle; Moloch is recommending for an open war, Belial and Mammon recommending Peace in order to avoid worse torment. Ultimately, Beelzebub comes with a resolution that announced the creation of another world ‘the happy seat/ of some new race called a man’ is better of the alternatives of revenge. Satan decides to visit the earth alone, passes through hell – gates, the gates were guarded by sin and death.

Book III

In book third as characteristics of a typical epic, Milton appeals celestial light to illumine his (referring to his own blindness) ‘ever-during dark’. He describes the God (as we find in On His Blindness). Satan comes on the outer convex of the universe, ‘a Limbo large and broad, since called/The paradise of Fools’. He spots a stair going up to heaven, descends to the sun, disguises himself as ‘a stripling cherub’, and in this shape is directed to earth by Uriel, where he reaches on mount Niphates in Armenia.

Book IV

This time Satan was confused about his further steps, resolves ‘evil be thou my good’ and visits the garden of Eden, where he came to know all about the Adam and Eve and overhears the conversation about forbidden Tree of Knowledge. Satan decides to persuade them to disobey the prohibition and insists to eat the Fruit of Knowledge. However, Satan was discovered by guarding Ithuriel and Zephon; he squats like a toad near the ear of Eve and expelled from the garden by their commander Gabriel.

Book V

With the continuation of Book IV, Book V begins stating how Adam and Eve enjoin the disobedience. God sends Raphael to warn them. They discuss reason, free will, and predestination. Raphael, at Adam’s request, realized them that Satan is inspired by hatred and newly anointed Messiah. Satan inspired his legions to revolt; resisted only by Abdiel.

Book VI

Raphael goes on his narrative, speaks how the fight takes place between Michael and Gabriel and Satan. After prolonged dithery battles, God himself alone attacked the hosts of Satan, drives them to the brink of heaven. He compelled them to go through the chaotic circumstances.

Book VII

In the very beginning of this book, Milton requests Urania to help him to be surrounded by the audience so he could get the inspiration. It is one of the characteristics of an epic, which the poet has used. He also expresses his grievances for his fallen days. Milton requests, ‘fit audience find, though few’. Raphael continues his narratives with God’s decision for the creation of a new world. He describes the creation of another world, took six days and night. A man was the last creation and a renewed warning to Adam that the death would be as the penalty for disobeying the God’s providence: eating of the fruit of the tree of knowledge.

Book VIII

Adam and Eve, having been resided, in the newly created world, he was filled with quests to know more about the recent creation. The discussion between Raphael and Adam and Eve took place. They have had a long talk, quenches the thrusts concerning the motions of celestial bodies, the answer was very doubtful, because those times it was not clear, and decline to decide. Adam asks Raphael regarding the relations between sexes. However, Raphael departs with a final warning ‘ take heed last passion sway/They judgement, Raphael departs.’

Book IX

Milton compares the quality of his epic poem with the great classical authors – Homer and Vergil. Further, he proceeds with the entry of Satan into the body of a Serpent and persuades the Eve, despite Adam’s warning. Adam soon realized that she would become the part of betrayal and will suffer from her free will. However, Adam resolves to undergo the consequence of it. He says:
“If death
 Consort with thee, the death is to me as life.
So forcible within my heart I feel
The bond of nature draw me to my own”
Compromisingly, After all, he made up his mind, eats the fruit. They lost their innocent being, now induced to rational attitude into their conscious being. They found themselves naked, covered their nakedness, fall to the mutual accusation.

Book X

Just after creating the world of Adam and Eve, God sends his Son to Judge their present state. They greet him with guilt and shame and are not happy for what they had committed. Son of God, after hearing their confession concludes that Sin and Death will come to this world, and there is a broad highway leads to the hell. For Satan, Adam and Eve’s disobedience of prohibition and creation of new world considers as his victory. He returns to hell and announces his victory. During the moment of triumph, they changed into serpents chewing the ashes. Adam comes to know that in him ‘all posterity stands cursed’ at first meets Eve and despairs, she wants mercy from Son of God.

Book XI

The Son of God is looking at their repentance, decides to act as arbitrate God decrees that they must leave the Paradise. He sends the Michael to execute his command. The judgement befall on them; will have to leave the happy blessing place Garden of Eden. Eve regrets and Adam requests not to banish from ‘bright appearances’. However, Michael assures them that God is omnipresent. But, later on, he states that Death and miseries of mankind is inevitable and this world will end with flood.

Book XII

Michael relates the subsequent history of Old Testament. He describes the incarnation of Messiah, Death, resurrection, and ascension, which Adam tends to become happy from his own sin. Michael also prophesies that the corrupt church will remain until the second coming. Meanwhile, during these revelations, Eve has been comforted by a dream foretell ‘some great good’. In the end, everything is resolved and assured that they may possess ‘a paradise within’ that will be happier, far better than lost one.

 Some Important Extracts from the Text

Of man’s First Disobedience, and the Fruit,
Of that Forbidden Tree, whose mortal taste
Brought Death into the world, and all our woe,
With loss of Eden, till one greater Man
Restore us, and regain the blissful
Seat, sing Meav’nly Muse… (book 1, 1 – 6)

Better to reign in hell, than to serve in heav’n. (book 1, 263)

The mind is its own place, and in itself,
Can make a heav’n of hell, a hell of heav’n. (book 1, 254-255)

God explains that he created man
“Sufficient to have stood, but free to fall” (book 3, 99)

Till thou return into the ground, for thou out
Of the ground wast taken: know thy birth,
 for dust thou art, and shalt to dust return. ( book 10, 206-208)

To thy husband’s will thine shall submit,
He over thee shall rule. (book 10, 195-196)

The world was before them, where to choose
Their place of rest, and Providence their guide:
They hand in hand with wandering steps and slow,
Through Eden took their solitary way. ( Book 10, 1537-1540)

… add faith, Add, Patience,
Temperance, and Love,
By name to come called Charity, the soul
Of all the rest: then wilt though not be loth
To leave this Paradise, but shalt possess
A paradise within thee, happier for. (Book 12. 575-587)



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